Jobless and with no prospects, "Niñato" (Kid) lives with his parents and does hip-hop music. He lives the life of the outskirts, it's the Madrid of the chronic crisis. But he is 34 years old and has 3 children to bring up. Time goes by, the kids are growing up and "Niñato" carries on, making music and looking after the children, without worrying too much about his future. Oro, the smallest one, not too motivated at school, will demand more attention and drive "Niñato" to face his own conflicts.

David, alias "Niñato" (kid in Spanish), a young single father who is unemployed and an occasional rapper, lives with his parents, his child, his sister and her own child. In this rather peculiar family life, between getting up, meals and homework, he tries to keep a few minutes for himself and his passion for rhyme and music. In the intimacy of his daily life filmed with tenderness and in total immersion, through habitual gestures and silences, the importance of the family unit is what emerges. From morning until night, in a temporality of the present time rebuilt in the editing, David's dedication to keeping his dream alive reinforces his tenacity in the education of the children. Oro, the youngest, the one requiring the most attention, is at the heart of the questions of the adults who surround him. Little by little, we see motivation hatch in harmony with the passion of his father. During the observed scenes, in an improvised rap in the shower, we get the sense that David has succeeded, he has passed on what Oro needs to find his own way to grow up.—Visions du réel