A twelve year old boy, living in a yurt but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.
Panting through the cold, folded hills of Mongolia, is the lone figure of young Galaa. His father dead in a tragic accident, a mother who looks twice her age, he yearns for a better life. Like any youngster Galaa is drawn to wrestling, rap, junk food and online dating. Yet he does exude an urge to help others, to "protect them from pain" and the quiet ways of Buddhism may save him. The tension between old and new, godly and worldy, are embodied in this child. In the marketplace Galaa is an adept wheeler dealer. He shrugs off the indifference of other traders to turn a quick buck. Yet he wants to honour his father's memory and be the best he can be for his mother. At a special remembrance service for his father an ugly fight breaks out as Galaa tries to siphon off some rice to save for others. Galaa's anguish rises painfully to the surface. "Just join the monastery" beseeches his mother quietly. Galaa visits Pethub, one of the most disciplined Buddhist monasteries in Mongolia, to try and gain acceptance. Scrubbing him in ice-cold water in preparation for the trip, his "buttocks turned to Buddha", the new sense of purpose is clear. "When you become a lama the grief and pain of poverty will disappear." So speaks his mother with a wisdom and simplicity that typifies this special film. Galaa adores the trappings of Buddhism, "the drums, bells and sutra books, the belt, the robe... the bag...I like them all!" He enjoys prostrating himself, it keeps him warm. Being here is the fruit of good actions in previous lives" a lama tells him, and urges him towards patience and study. Galaa wraps himself in the mantle of religion, but outside the monastery he continues to flit between two worlds, dressed in red robes and huge trainers, studying religious texts by candlelight and hip-hop dancing on the hills. When denied a place in one monastery Galaa's disappointment turns to disillusion. "Lamas tell lies!" he laments bitterly. As his dream founders, he makes the best of his "cute lama" image and prays for money in the market. Perhaps this boy can find his way in the outside world, without denying himself the earthly pleasures of a wife and family... A close character-led portrait of growing up in a world of utter poverty, painted with the lightest of strokes, and very much in keeping with the quiet sincerity of Buddhist values. .
Gaala is only twelve, but he must look after his mother and younger brother. His farther died 2 years ago. To make ends meet, he is a vendor in the market in Ulaanbaatar and brings money to his mother who waits for him in the ger, the traditional Mongolian yurt, in the poor and dirty periphery of the city. The boy misses many days of school and has little time for play. His mother dreams of a different future for her son; to lift him from poverty, she attempts to have him accepted into a Buddhist monastery in order to become a monk. With his mother the boy visits the monastery in Pethub, one of the most famous in Mongolia. But for him, the road to the monastic life seems full of obstacles and ill-suited to his restless, rebellious nature. In order to achieve his goal, Galaa must study hard and advance through a complicated bureaucracy at the monastery. With Gaalas story, we are brought closer to the reality of life in the capital of Mongolia, where families live in dire conditions in the characteristic yurt, in a society that day by day abandons tradition in favor of modernity and its contradictions. Modernity is a condition of choicesor at least what seem like choices. There are certainly many cultural pressures and many social niches, although our decisions may be more overdetermined than we think. In present-day Mongolia, especially for a poor fatherless boy who is much influenced by popular media like hip-hop music, the choices may be more constrictedand the ultimate selections more overdeterminedthan we care to admit.
