Momak i devojke

A girl with a nickname "Yelow one" lives in the whirlpool of modern metropolis. Without experiencing childhood, naive and simpleminded, she becomes a wanderer, although she has a burning desire for home and quiet life. The big city life laws get her in troubles, sad and, at least for her, unintelligible...

Kartika (Ning Baizura) is a popular diva from Malaysia. He is a successful person all over the world and is loved by millions of fans in his homeland. Behind his glorious success is hidden a sad story. Wherever Kartika is, all her fans want to spend time with her. In this situation, Kartika only wants one person to understand her heart, which is her mother. His mother did not want to meet or talk to him at all.

A marriage counsellor, who's own married life fell apart, sets out for new companionship consulted by her daughter and mother.

A story of teenager from Rome during World War II.

An erotically-charged drama by the late Park Chul-soo, intertwining stories of three characters whose joy, passion and despair played out on the same bed are tangled like a puzzle.

Luc Bondy's final feature film as director draws talent from both stage and screen to bring Pierre de Marivaux's 1737 play into 21st century Paris. Isabelle Huppert commands the screen as Araminte, the wealthy widow who unwittingly hires the smitten Dorante (Louis Garrel) as her accountant. Secrets and lies accumulate as Dorante and his accomplice, Araminte's manservant Dubois (Yves Jacques), manipulate not only the good-hearted Araminte, but also her friend and confidante, Marton (Manon Combes). Dorante, by turns pitiable and proficient, but always deferential to his social better, walks a fine line in his quest to arouse an equal desire in the object of his affections. Bulle Ogier delivers a memorable turn as Araminte's mother, who suspects the young man's intentions, but wants to push her daughter into the arms of an aged, hard-up Count (Jean-Pierre Malo). Filmed in part on-site at the Théâtre de l'Odéon-and shot during the daytime, while the same cast performed the play there at night-the film blurs the distinction between stage and screen, offering a new turn on this classic take on the psychology of love.