S13.E4 ∙ Look Out!

Fifi is seen as Pierrot in a French play that is a failure despite her effort to put ginger into the rest of the cast. Among the few in the last audience was Cartouche, a veteran, who had become an actor when his wounds no longer allowed him to follow Napoleon. Through Cartouche's efforts Fifi is employed at the Imperial theater in Parts. He takes her to his lodging, determined to protect her. Fifi fails to understand how much Cartouche is doing for her, and when he gives her money to buy clothes she purchases a toy dog sailed Toto. The veteran buys a lottery ticket and gives it to Fifi. The ticket bears the winning number and Fifi finds herself in possession of a fortune. Cartouche decides Fifi must be educated. He applies to his old general, who suggests that Fifi be sent to the home of Louis Bourcet, an attorney who lives alone with his mother. Instead of putting her money in the bank Fifi hides it and startles the Bourcet family by her extravagance. They decide she has even more money than they thought and Louis begins to see in the wealthy Fifi a very acceptable wife. He makes love to the girl, and she accepts his proffer. Then she sets about to make him break the engagement by squandering her money, realizing she is in love with Cartouche. Accordingly she buys the most impossible things, scandalizing the Bourcet family into a complete renunciation by giving the remainder of her wealth to a charitable benefit for old soldiers. Ejected from the house by the angry Mme. Bourcet, Fifi returns to the Imperial, where she demands more money for her services because she has been publicly thanked by the General for her donation to charity. She tells Cartouche she loves him, but the old soldier refuses. to permit her to "throw herself away" upon him until Fifi gets an inspiration of her own.

A friendly group of children spends their summers in an old dacha village year after year. The kids have their own headquarters hidden from prying eyes in a corn field and a legend that says that a treasure trove of treasures of a princess who fled from Napoleon is hidden not far from the village. When a new girl Katya comes to the village with her mother, she becomes a bone of contention for best friends Sonya and Dasha. But it is not only friendship that will have to endure a test of strength. A certain businessman is going to buy a field with a hut and organize a construction market in its place. The children decide not to allow this to happen at any cost and after failed negotiations, they move on to active actions.

Godai tries to figure out what to do with his life after college while competing with Kyoko's impossibly perfect tennis coach for her affection.

A collage consisting of fragments of a 1981 movie shot on three-quarter-inch videotape, mixed with the following (all shot in 2015): documentary interviews about the history of the old movie; a fictional story about a young director who begins a film, abandons it, then returns to it decades later; and a set of wild improvisations in which various interpretations of how the old, unfinished film was meant to be completed are portrayed. In the fictional story which frames this movie, a young filmmaker begins shooting his first feature in Austin with people he knows. He has one close friend who inspires him to make this film. She is the first of his circle to die of the unfolding AIDS epidemic. She eventually comes back, decades later, to inspire him to finish the film he had abandoned so long ago. From the fragments that survive, the original film seems to have been about a crazed heiress searching for a lost brother who has allegedly been transformed into a zombie. Her search takes her on a journey where she encounters crooked detectives, a delusional psychiatrist, a moronic tour guide, and Communist spies masquerading as Hollywood big shots.