S1.E1 ∙ Episode #1.1

A documentary account of the rehabilitation at the Wiltwyck School of an emotionally disturbed Black boy who is unwanted, misunderstood, and inwardly tortured.

When influential Chinese artist Ma Liang (a.k.a. Maleonn) realizes that his father Ma Ke, an accomplished Peking Opera director, is suffering from Alzheimer's disease, he invites his father to collaborate on his most ambitious project to date - a haunting, magical, autobiographical stage performance featuring life-size mechanical puppets called "Papa's Time Machine". Through the creation of this play, the two men confront their mortality before time runs out and memories are lost forever.

A group of everyday citizens take on the provincial government of New Brunswick over a historical attempt to privatize the publicly owned crown corporation, New Brunswick Power.

A five year project involving filming on NYC subway. Camera observes people and events unaware they are being filmed. Emotional, intimate and deeply human. All done by director Tom DiCillo. He shot, edited and mixed the film by himself with the aim of making a film without any financial or marketing restrictions.

Slavik (34) from Ukraine, former world champion in Latin American dancing is making a last and final comeback with Anna, his new dance partner and girlfriend. Slavik is addicted to the limelight and the dance and misses the rush. However, his aging body is causing him severe pains these days, and his flaring temper puts his relationship with Anna at risk. The road to reclaiming the championships is a long, tough struggle. Slavik literally puts everything on the line in his ultimate push for the throne. Failure is not an option, yet failure is so difficult to avoid.

One man risks family and future to stop the tar sands of the Keystone XL pipeline from crossing his land. Shot in the forests, pastures, and living rooms of rural East Texas, Above All Else follows David Daniel, a retired high-wire artist, as he rallies neighbors and environmental activists to join him in a final act of brinkmanship: a tree-top blockade of the controversial pipeline. What begins as a stand against corporate bullying becomes a rallying cry for climate protesters nationwide. As in his previous film, Mississippi Chicken, director John Fiege puts a human face on a complex case of social injustice, again capturing the South in its beauty and contradiction and revealing the intimate, often unfathomable, experience of creating social change at the grassroots.